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‘Legends’ is one of Netflix’s best crime dramas in years

‘Legends’ is one of Netflix’s best crime dramas in years

One of the best crime drama I’ve seen in years uses restraint, suspense, and a fantastic cast to keep you hooked.

With a background in film and branded content, he covers sports and entertainment with sharp insight and creativity. A longtime Oilers fan, he’s still holding out hope for a Stanley Cup run.
'Legends' is the best under the radar drama on Netflix.

I binged “Legends” in about four nights, and it’s one of the best crime dramas I’ve seen in years. The six-episode British thriller has a fantastic true-story setup, a stacked cast led by Steve Coogan and Tom Burke, and the kind of tight storytelling that makes it very hard to stop watching. I loved it, critics loved it, the people who watched it loved it, but somehow it dropped on Netflix without becoming the kind of breakout hit it deserved to be. So if it passed you by, here’s why “Legends” is the best under-the-radar drama TV show on Netflix right now.

Best under-the-radar drama TV show on Netflix

Why ‘Legends’ is the most underrated drama series on Netflix

“Legends” arrived on Netflix quietly, with all six episodes available at once, and I’m honestly surprised it didn’t turn into a much bigger hit. It has everything you want from a crime binge: a crazy true-story setup, a great British cast, undercover operations, gangsters, betrayals, and a story that keeps moving without feeling rushed. But it showed up during a crowded month, didn’t seem to get a giant marketing push, and just kind of sat there waiting for people to find it.

The set-up alone will grab you pretty much immediately. In the early 1990s, Don, played by Steve Coogan, recruits ordinary British Customs employees and trains them to infiltrate some of the country’s most dangerous heroin gangs. These people aren’t experienced spies or hardened police officers. Guy checks baggage at an airport. Kate confiscates illegal material. Bailey investigates unpaid duties. Then suddenly, they’re creating entire fake lives called “legends” and sitting across from people who could kill them if one detail doesn’t add up. And the show is inspired by the real undercover Customs unit that actually did this, which makes the whole thing even wilder.

What really kept me binging was the way creator Neil Forsyth split the story. Tom Burke’s Guy goes out mostly alone, working his way into a Turkish criminal network in London, while Hayley Squires’ Kate and Aml Ameen’s Bailey take on a separate drug operation in Liverpool. Jasmine Blackborow’s Erin helps hold everything together from the intelligence side. Cutting between the two operations keeps the series moving because there’s always a different problem getting worse. Guy might be improvising his way through one incredibly tense meeting while Kate and Bailey are dealing with a completely different set of criminals, suspicions, and lies.

All the performances are great, but for me, Tom Burke is the main event. Guy has this bruised, slightly dangerous quality where you’re never completely sure whether he’s controlling the situation or getting addicted to being someone else. Burke doesn’t oversell any of it. He can make a quiet conversation feel threatening just by sitting there and letting you wonder what Guy is thinking. Steve Coogan is excellent too as Don, the experienced and clearly damaged man trying to keep everyone alive, but Burke is the person I couldn’t stop watching. Every time the story went back to Guy, I leaned in.

I also love how much bigger the world becomes as the operation grows. It starts with a small group of Customs officers at a strange little training camp, then moves into the criminal worlds of London and Liverpool before opening up into an international heroin network. Eventually, Guy, Bailey, and Don are pursuing a connection to the drug supply in Pakistan, while Kate continues digging into the operation back home. That escalation gives the series a real sense of discovery. You’re learning how enormous this system is at the same time the agents are, and every new level makes their original mission look more dangerous and slightly more insane.

The restraint is a huge part of why it works, too. “Legends” is violent at times, but it’s never violent just because the show thinks violence is cool. It guards those moments. You spend far more time worrying that something might happen than watching people get beaten or shot every 10 minutes. Then, when the violence finally does arrive, it lands much harder because the show hasn’t numbed you to it. Add in a climax that actually pays off the tension it has been building across all six episodes, and this is exactly what I want from a crime drama. It’s tight, tense, beautifully acted, and over before it has any chance to wear out its welcome.

Legends

May 7, 2026

As drugs flood the streets of ’90s Britain, a team of civil servants is thrust undercover to topple the gangs behind it.

What is ‘Legends’ about?

“Legends” is inspired by the true story of ordinary British Customs employees who were recruited for a secret undercover operation during the heroin crisis of the early 1990s. Led by the experienced Don, the agents are taught to build fake identities, enter criminal circles, and slowly earn the trust of the gangs moving drugs into Britain. Guy works his way into a dangerous Turkish organization in London, while Kate and Bailey target another network operating through Liverpool. What starts as a desperate government experiment soon turns into a much larger international mission, forcing the agents to lie to criminals, their families, and sometimes one another while trying to remember who they were before they went undercover.

Other underappreciated drama shows on Netflix

If you finish “Legends” and want another twisty crime drama on Netflix, start with “Safe.” Michael C. Hall plays a widowed surgeon searching for his missing teenage daughter, only to discover that basically everyone in his supposedly secure neighborhood is hiding something. “The Tourist” is the stranger pick, with Jamie Dornan waking up in the Australian Outback with no memory and a bunch of very dangerous people trying to kill him. And “Lupin” is the slickest of the three, following Omar Sy’s Assane Diop as he uses disguises, elaborate schemes, and the stories of gentleman thief Arsène Lupin to take revenge on the wealthy family that destroyed his father. They’re all different, but each gives you a smart lead, a mystery that keeps changing shape, and plenty of reasons to watch one more episode.

Netflix

Netflix is a leading subscription-based video streaming service that offers on-demand access to an extensive library of over 3,000 movies, 2,000+ TV shows, and a growing collection of acclaimed Netflix originals. Renowned for producing groundbreaking content, Netflix has become a cultural powerhouse with hit originals like “Stranger Things,” “Wednesday,” “Squid Game,” “The Crown,” “Tiger King,” “Bridgerton,” “The Witcher,” and “Black Mirror.”

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The platform constantly updates its catalog, introducing fresh content alongside timeless classics and international hits. Netflix’s commitment to storytelling has also earned critical acclaim, with award-winning exclusives such as “Roma,” “Marriage Story,” “The Power of the Dog,” “Mank,” and “Ma Rainey’s Black Bottom.” In 2023, their animated film “Guillermo del Toro’s Pinocchio” won an Academy Award for Best Animated Feature, further solidifying Netflix’s reputation for high-quality content.

Recently, Netflix has expanded beyond standard movies and TV titles with the addition of video podcasts, and is also exploring a digital store that would offer third-party streamers within the app.

Netflix offers three plans – stream on 2 devices in HD with the “Standard with Ads” ($8.99) plan, on 2 devices in HD with the “Standard” ($19.99) plan, and 4 devices in up to 4K on the “Premium” ($26.99) plan.


Thomas Waschenfelder writes about sports and entertainment for The Streamable, combining his deep knowledge of both fields with his experience in content creation. A graduate of USC’s prestigious School of Cinematic Arts, Waschenfelder has a strong background in film, which he leverages to craft engaging, high-quality content. When he’s not covering the latest developments in sports or entertainment, he’s patiently waiting for Connor McDavid to lead the Edmonton Oilers to a Stanley Cup victory.

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